Homage to Bird Woman
2019 was a year that shook me…. I’m looking forward to 2020 and allowing the disparate parts of me to continue falling into place. Homage to Bird Woman is self portrait. It’s a reflection of who I am and what has led me to this place, feeding the birds and working through the layers of feeling and experience within.
An interesting aspect of working with recycled materials is that I’m compelled to accept the idiosyncrasies, faults and flaws of the base canvas. This frees me to bring an abandoned approach to working on the first layer. Accepting what has gone before and stepping forward with new layers is an exciting part of the process.
Through every step of this work, I’ve used flow art techniques to achieve results that surprise me. I’ve scrubbed out, painted over and removed layers in order to make space of spontaneous interventions to revitalise and renew the work.
The nature of flow moves me into a trance-like state where I allow thoughts to permeate and percolate on whether there are lessons in this process of acceptance and moving on for the way we live our lives. Life is certainly complicate and multi-layered as far as I’m concerned.
There are cutting-out techniques in Homage to Bird Woman, too. Cutting and snipping is a therapeutic aspect of my art. The gay abandonment of getting stuck into cutting and sticking can feel like a serious work out for my soul. Sticking and placing pieces generates a very good feeling for me. This is a flow art movement that creates a strong head/heart connection.
Another aspect of flow art and using a number of different materials is that I’ve allowing synchronicity to shape the direction of my Bird Woman. Not working to a fixed plan reflects the symbolic message that she carries.
Life, and this Homage, is all about layers, making mistakes and ultimately building towards a satisfying ending. I am always working with the flow process… my paintings are internal processes in themselves.
Next: Announcing details and venue of my next exhibition.